Art

Introduction   Recent scholarship on early photography examines the photograph as primary source material in order to identify and explore ‘veins of influence’ that operate on, through, and from it. The ‘veins of influence’ analysis developed in that research brings us, whether as professional creatives, academics, or other participants, into dialogue with the photograph. Through such engagement, we become active participants in and agents of influence, shaping how these earl

Sarah Dunant is a novelist, broadcaster, and cultural critic whose work blurs the line between historical inquiry and literary imagination. Best known for her fiction set in Renaissance Italy, she gives voice to women whose lives have been obscured by time, deftly merging narrative and historicism. Rendering the past not as backdrop but as pulse, Dunant allows history to unfold with the texture of lived experience. Her acclaimed novels, The Birth of Venus , In the Company of

Art has been part of our being for millions of years—possibly even before the beginning of our genus Homo—without being understood as what we now call art. From the beginning, it was simply another way of knowing, probably our first, of coping with what confronted us in our environment as a necessary way of surviving in it and sharing that knowledge with others. It sprang from an emotional reaction to what existed outside of us and how we translated that feeling to pass it on

Abstract   The authors, faculty members at Northeastern University and Boston University, highlight the shifting values and priorities of...

Blue and white, occasionally with touches of yellow, ceramic tiles adorn not simply the façades and interiors of countless Portuguese...

‘I am staying unsettled and trying not to talk for three years’, the painter Agnes Martin wrote to a friend in the late 1960s, adding, ‘I...

Convince an enemy, convince him that he’s wrong Is to win a bloodless battle where victory is long A simple act of faith, in reason over...

Carved into the stone of the ancient temple of Apollo at Delphi was the injunction to ‘know thyself’. Without such knowledge we are tossed this way and that by forces we neither suspect nor understand. Knowing ourselves helps explain our predicament; and doing so is greatly aided by understanding an aspect of the way in which the brain constructs the world.   I believe we have adopted a limited vision of a very particular type, and precisely because it is limited we cannot se