top of page
Articles


Splendid Isolation or Fish out of Water? Fishing, Brexit, and the Iconography of a Maritime Nation
1. The fish are alright Historically and presently, the United Kingdom has identified and presented itself as a maritime nation.[1] Fisheries, historically a significant source of employment, cultural identity, and economic output, are a vital component of the UK’s seafaring character. Amidst the decline of other British coastal industries, fishing, also in a state of ‘managed decline’,[2] is perhaps the UK’s final remaining material link to this maritime heritage. Our ar

Aadil Siddiqi and Nathan Davies
19 min read


‘A heap of broken images’: The Possibility of Connection in TS Eliot’s The Waste Land
Eliot’s work is filled—especially the poetry—with masks, role-playing, and multiple voices. Yet it is saturated everywhere, too, with...
Asseel Darwish
15 min read


Famous Lost Artworks
Modern commerce takes place at supersonic speed. It therefore surprises many that most of the world’s traded goods are still, at some...

Serhan Handani
8 min read


The Cultural Logic of Statues
A statue tumbles and, with an almighty splash, sinks below the water. Those responsible cheer with joy. Onlookers are captured in a range of emotions: confusion, rage, wonder. What is taking place? Is this an anti-historical act of violent vandalism, or the liberating removal of a relic of the colonial era, an enduring reminder of oppression? When Black Lives Matter protesters in Bristol toppled the statue of the merchant and slave trader Edward Colston in June 2020, it was

Jack Graveney
12 min read


Leonardo the Myth alongside Leonardo the Architect
Leonardo da Vinci is a constant of the Western cultural tradition. We grow up with a vague sense of Leonardo’s achievements, knowing him...

Ruairi Smith
10 min read
bottom of page

