Articles

Introduction   Artificial intelligence (AI)-enabled prediction algorithms create multiple challenges to existing ideas about human agency and how the results of this agency may be governed. Weak or absent transparency in the operation of computational systems is changing the meaning of individual autonomy as AI enables vast numbers of new capabilities previously designed and implemented by humans.[1] The prevailing wisdom is that AI innovation is best driven by commercial mar

Becky Shaw is a Senior Associate at Boodle Hatfield in the firm’s art law and commercial litigation teams. She has worked on cases...

This is the text of the Introductory Address read at the conference on temporary exhibitions held at the Musée des Beaux-Arts de Rouen on...

Abstract Expressionism emerged amid a tense post-war climate, as a new genre of art that seemed so devoid of representational form or...

Anthony Julius is a solicitor advocate who has represented Princess Diana and Deborah Lipstadt. He is Deputy Chairman of Mishcon de Reya,...

Born in Portsmouth in 1951, Sir Christopher Le Brun is a painter, printmaker, and sculptor. As President of the Royal Academy 2011-19, he...

Postcards have long been linked to memory formation, sold primarily as ‘souvenirs’, a term itself deriving from the French verb souvenir...

Introduction   Frans Hals was a mildly successful seventeenth-century Dutch old master who specialised in portraits. Few of his works have persisted in popular cultural consciousness in the intervening 400 years. One exception is the Laughing Cavalier,  painted in 1624, which remains on display in the Wallace Collection in London. The Laughing Cavalier  was once described by the Harvard art historian   Seymour Slive as ‘one of the most brilliant of all Baroque portraits’.[1]

One of the problems of having lived a long life is that it brings home to one the many different identities one has occupied in the...

Russell Barnes is a Director and Producer for the documentary production company ClearStory. Clare Burns has worked in television...

The application of print privilege (pre-copyright) legislation to Venetian cartography came about by chance.[1] While the Venetian Republic was not the first state in Europe to construct a system of printing privileges, it was the earliest to grant limited monopolies for cartography and artwork. Intended originally for bestowing printed book privileges, the wording of the sixteenth century legislation and printing culture of Early Modern Venice enabled the expansion of the pr

Camilla Perera-de Wit is the Secretary-General and Director-General of the Netherlands Arbitration Institute (NAI). Her previous experience in dispute resolution includes her work at the Permanent Court of Arbitration (PCA) and at P.R.I.M.E. Finance. She is a board member of the Court for Arbitration of Art (CAfA) in Rotterdam.   Bert Demarsin is a law professor at KU Leuven, who has conducted extensive work on art disputes. His work particularly focuses on provenance and aut

A central image in the consideration of law is the totemic figure of justice—Justitia—the blindfolded Roman goddess of justice. Often appearing in statue form in many courthouses and carrying a sword and scales, she heralds the idea of law as impartial and unseeing, of law as a system that, theoretically at least, is open to all—democracy as a form of blindness. The irony of this sightlessness will not be lost on artists, who tend (with good reason) to think of law as oafishl

The origins and definition of the word ‘Americanitis’ are opaque at best. It is generally believed to have appeared in medical journals of the late nineteenth century, describing a particular nervous ailment found in the inhabitants of the United States of America. Thought to cause disease, heart attack, nervous exhaustion, and even insanity, Americanitis was seen as a serious threat to the American public. In fact, in 1925, Time  Magazine reported that Americanitis was respo

Fig 1. Portrait of Lucrezia Panciatichi (Bronzino 1545, oil on panel, 102 x 85cm). Uffizi, Florence. Wikimedia Commons....

Art historians and psychologists alike have long been fascinated by the tentative relationship between art and mental illness. A number...

Professor Andreas Rahmatian is Professor of Commercial Law at the University of Glasgow School of Law. Originally from Vienna, he obtained his first degree in law and a PhD in Private Law from the University of Vienna, and completed another degree in musicology and history there. He holds an LLM from the University of London. He worked as an associate attorney-at-law in Vienna and qualified as a solicitor with a City firm in London before he became a full-time academic. He ha

Maggi Hambling CBE is a painter and sculptor. Subjects for many of her paintings are the sea and the dead. Her sculptures are famous and...

Elizabeth Susan Wahl suggests that during the eighteenth century, homosexual relations between women became an ‘open secret’ that was...

Turrets and spires tower over rich façades and stained-glass windows. Ornate vases sprout up from formal Versaillais parterres made of...

Victoria Broackes is Director of the 2021 London Design Biennale. Previously she worked for the Victoria and Albert Museum (V&A): as...

The assumption we live in a secularized world is false. The world today … is as furiously religious as it ever was. —Peter Berger[1] Fig...

William Christie is an American-born French conductor and harpsichordist. He read History of Art at Harvard and then Music at Yale, where he specialised in the baroque repertoire. Opposed to the Vietnam war, he moved to France in 1970 and pioneered the renewal of French baroque music by creating his musical ensemble Les Arts Florissants in 1979. Since 1985, he has lived in his seventeenth-century manor in Thiré (Vendée) which hosts a yearly festival of baroque music, Les Jard

Michael Sandle RA is a sculptor and one of Britain’s foremost living artists. He is an outspoken critic of many facets of today’s art...