Articles

Since the detection of massive Russian interference in the 2016 American presidential election, there has been a morass of studies analysing the manipulation, fakes, and distortions, particularly on the Internet, which seem to assault the very notion of truth.   In the US, we have been horrified and perplexed by the huge numbers of people who believed, without much evidence, that there had been massive fraud in the 2020 presidential election, of whom hundreds attacked the bui

As a theorist, economist, politician, author, and co-founder of two transnational democratic and progressive movements, Yanis Varoufakis is a political Renaissance man who has captured some of the main social, political, and economic movements of our times. He catapulted to fame as Greek finance minister in 2015 where he displayed a strong opposing voice to European powers in a time of turbulent financial crisis. Varoufakis has continued to be a leading voice for change. In 2

I have not read all the tributes that have been made to John Hume since his death in 2020, but I doubt if many—perhaps any—of them have got to the heart of his real achievement, which was twofold. On the one hand, he prevented a settlement of Northern Ireland’s constitutional status that seemed to be a real possibility in the late seventies and early eighties on what might have been called ‘Unionist’ principles (though it could have resulted in the end, or radical decline, of

Introduction COVID-19 should not have struck us so unawares: similar viruses, SARS and MERS, had emerged within the last 20 years, and global pandemics had been widely discussed. So why were even rich countries so unprepared? It’s because politicians and the public have a local focus. They downplay the long-term and the global. They ignore Nate Silver’s maxim: ‘The unfamiliar is not the same as the improbable.’   Indeed, we’re in denial about a whole raft of newly emergent th

Christopher A Marinello is an expert in recovering stolen, looted, and missing works of art. A lawyer for over 38 years, Marinello began his legal career as a litigator, negotiating complex title disputes between collectors, dealers, museums, and insurance companies. In 2013, he founded Art Recovery Group, a specialist practice providing due diligence, dispute resolution, and recovery services for the art market and the cultural heritage sector. Marinello has overseen the dev

The purpose of the Human Rights Act 1998 (HRA) was to ‘bring rights home’, allowing people to protect their fundamental human rights...

The United Kingdom has experienced two major political crises in the last five years. Brexit and COVID-19 are crises of very different kinds. But they have a significant feature in common whose implications will live with us for a long time. They are milestones in the demise of liberal democracy.   The model which will replace liberal democracy is already emerging. It will be more authoritarian and less dependent on Parliamentary deliberation. It will view our society as a gr

The COVID-19 pandemic has led to more than 176 million confirmed cases and over 3.8 million confirmed deaths. These numbers are likely dwarfed by the true rates of infection and death, which will remain unknown well into the future and will likely never be fully elucidated.[1] During this time, several countries have vied for the unhappy honour of being the worst affected by the pandemic, including Italy in early 2020, the United States through 2020 and early 2021, and most r

Philip Hoffman is Founder and CEO of the Fine Art Group, which focusses on art advisory, investment, and philanthropy. At 33 he became the youngest member of KPMG’s Management Board and later served as its Deputy CEO of Europe. He also worked for Christie’s for 12 years. He regularly comments on the art market in the international press. The Frick Collection is widely regarded as one of New York’s finest galleries. From the interiors of Vermeer to the forests of Fragonard, an

Rebecca Salter is a painter. She is President of the Royal Academy of Arts, the first woman in the role. She has a strong interest in...

I. The case of George Gavriel   A recent incident in Cyprus re-ignited the debate about the limits of artistic freedom. George Gavriel, a director and teacher of art of a secondary education public school, who is also an artist in his leisure time, posted on social media in September 2020 pictures of some of his latest paintings.[1] Some of them have a clear anti-Church theme, with one picture in particular showing a naked Jesus riding a motorcycle and wearing a scarf with th

The below is adapted from Fakir Aijazuddin's 2021 book Imperial Curiosity: Early Views of Pakistan, 1845-1906 . Introduction   The nineteenth century was a period of imperialist expansion. Powerful countries in Europe like Great Britain, Germany, and Russia recognized the potential of countries in the near and far East—potential for travel, for tourism, for the advancement of scientific knowledge, for trade, and perhaps most important of all, resources with which to fuel thei

The recent upsurge of interest in the history of the British Empire has produced a wealth of literature that often presents empire and imperialism in a hegemonic light, couched in a dichotomy that sets the ‘oppressor’ against the ‘oppressed’, the ‘coloniser’ against the ‘colonised’, and so on. Underpinning fashionable postcolonial discourse, this binary terminology can obscure important nuances of political thought in its proper historical context, such as how prominent figur

On 9 April 2003, in the immediate aftermath of the fall of Baghdad, in the first month of the invasion of Iraq, a crowd assembled in Baghdad’s Firdos square and tore down a statue of Saddam Hussein. The event was publicized widely, celebrated by many as an authentic expression of popular revolt against tyranny. Soon, however, it became embroiled in controversy as evidence emerged that the event (ultimately accomplished by American soldiers and equipment) was stage-managed by

SCENE. Manhattan. Street with jazz club and apartment building on a muggy late summer evening.   The tired leaves on the trees are damp with rain. Yellow cabs whoosh by, nearly drowned out by a thrum of cicadas. A door swings open from the jazz club, releasing a bubble of music into the street and ALAN, CLAUDE, and JOHNNY, three young men engaged in animated conversation.   ALAN : [ To CLAUDE. ] Brilliant. Thanks for bringing us. We couldn’t have heard this in London.   CLAUD

Is a judge more like an artist or a scientist? This seems to be a trick question, and yet extreme versions of both perspectives have, at one time or another, been advocated. For instance, James Boyd White, often regarded as the founder of the ‘Law and Literature’ movement, considered lawyers to be artists, and the solving of complex legal problems to be akin to high art.[1] Conversely, Christopher Columbus Langdell, once Dean of Harvard Law School, believed that ‘law is a sci

Funding for the arts is quite frequently commended by political philosophers and political pundits—whom I shall call ‘edificatory perfectionists’—as a policy that can incline people to improve their ways of life by taking advantage of cultural opportunities.[1] By contrast, this article advocates such funding because it can promote the occurrence of outstanding achievements and thereby help to bring about the conditions under which every citizen can be warranted in feeling a

In the opening essay of Ways of Seeing , John Berger writes, ‘We only see what we look at. To look is an act of choice. As a result of...